汉晋神仙小说的“变化”情节析论  

On Plot of “Changes” in Novels of Immortals in Han and Jin Dynasties

作　　者：邓国均[1] Deng Guojun(Humanities College,Zhejiang University,Hangzhou,Zhejiang,310028)

机构地区：[1]浙江大学人文学院,浙江杭州310028

出　　处：《西北民族大学学报（哲学社会科学版）》2018年第4期74-81,共8页Journal of Northwest Minzu University(Philosophy and Social Sciences)

基　　金：国家社会科学基金项目"浙江道教史";浙江大学中央高校基本科研业务费专项资金资助项目"先秦诸子与辞赋文学";四川省社会科学研究"十三五"规划2016年度课题"先秦诸子与辞赋源流研究"(项目编号SC16XK055);四川网络文学发展研究中心2015年度一般项目"网络文学与传统文化的现代转化研究"(项目编号wlwx20150015)的阶段性研究成果

摘　　要：《列仙传》《神仙传》等书所载神仙故事,往往以"变化"作为其主要情节,这类情节又分为神仙自身的"变化"或驱使外物发生的"变化",二者均是其"神通"与"道术"的突出体现。获得"变化"之术的途径则颇具现实性,主要为"服食"和"行气",反映了汉晋道教"寓道于术"的思想倾向。汉晋神仙小说的"变化"情节及其所反映的"变化"观念,既是"与道同体""道法自然"等思想的形象体现,同时也受到了西域文化的影响。Stories of immortals in Liexian Zhuan and Shenxian Zhuan were usually constructed with plots of changes, such plots of changes were in two forms of changes of the very immortals themselves and external changes driven by the previous ones, and both forms were representative manifestations of ＂supernatural power＂ and ＂Taoist magic arts＂. The ways to acquire arts of ＂changes＂ are practical ones. mainly by taking Daoist pills and promoting the circulation of qi, and this reflects the ideological trend of ＂Taoism in magic power＇in Han and Jin Dynasties. Plots of changes in these novels and ideas of changes reflected in these plots are actually true representation of such ideas as ＂being embodied in Tao＂ and ＂Tao abiding by nature＂, and are also under the influence of cultures of western regions.

关 键 词：道教 神仙小说 “变化”情节 

分 类 号：I242[文学—中国文学]