画面的空间与观看——以丁托列托作品《耶稣为门徒洗脚》为例  

Tintoretto's Paintings: Space and Viewing——Taking Christ Washing the Feet of His Disciples as an Example

作　　者：禾苗 岳中生[2] He Miao,Yue Zhongsheng(History Department,Peking University;Civil Aviation University of China)

机构地区：[1]北京大学历史学系 [2]中国民航大学

出　　处：《天津美术学院学报》2017年第2期83-89,共7页Northern Art:Journal of Tianjin Academy of Fine Arts

摘　　要：本文以《耶稣为门徒洗脚》为例,解析丁托列托绘画中的空间结构。由此,针对丁托列托为特定空间而创作的非中心对称构图的大画幅宗教题材的作品,探索对其进行观看的普遍规律,来说明画面空间与观看位置之间的关系,进而尝试还原已经发生改变的(原作所处的)实际空间的原始场景。This paper examines the spatial structure of Tintoretto＇s paintings, with Christ Washing the Feet of His Disciples as an example. Then, it turns to study his large-size, religion-themed works with non-centrosymmetric compositions designed for particular spaces, to explore general laws on how to view them. By so doing, the relationship between painting space and the viewing position is illustrated; then efforts are made to simulate the original scene of the actual space（where the original painting was being present） which has been changed.

关 键 词：丁托列托 空间 位置 观看 还原 

分 类 号：J205[艺术—美术]