宋玉之“尚雅”“隆雅”审美意识  

Song Yu's Aesthetic Consciousness of 'Shang Ya' 、'Long Ya'

作　　者：李天道[1] 李尔康[1] LI Tiandao;LI Erkang(College of Liberal Arts,Sichuan Normal University,Chengdu,Sichuan 610068)

机构地区：[1]四川师范大学文学院,四川成都610068

出　　处：《绵阳师范学院学报》2018年第9期1-7,共7页Journal of Mianyang Teachers＇ College

基　　金：国家社科基金规划项目"中华古代环境美学思想专题研究"(13AZD029);四川省美学与美育研究中心项目"中国古代人生美学研究"(17Z001)

摘　　要：宋玉是战国时期楚国的诗人,屈原的后学,以风流儒雅著称于世。宋玉人如其名,纯洁无瑕,温润雅致,有"玉"一般的品质。宋玉隆雅、贵雅,喜好山水,杜甫诗云"摇落深知宋玉悲,风流儒雅亦吾师",极为称许宋玉的儒雅风流。在生活中,宋玉耿介正直,不同于流俗,不随波逐流,于浊世以求禄食,表现出一种超凡脱俗的人格操守。宋玉在赋作中更是继承屈原的志尚,崇尚阳春白雪,追求雅致的审美理想,推崇"君子""不素餐"的审美诉求,表现出一种高雅的审美趣向。Song Yu was a poet of Chu in the period of Warring States. He was the student of Qu Yuan and was famous of his temperament of romantic and refined. As like his name, he has the general qualities of the ＂jade＂, immaculate and elegance. Song Yu respected and revered ＂Ya＂ and loved natron. Du Fu praised him in the poem that ＂The swaying fallen leaves know deeply Song Yu＇s sorrow, he was so romantic and elegant that to be my teacher＂. In the ordinary life, Song Yu was so honest and upright and showed a unworldy personality. His odes inherited the aspiration of Qu Yuan that respecting ＂ Yangchun Baixue＂ （highbrow arts and literature） and praising the Aesthetic ideal of Elegance and Aesthetic pursuit of Jun Zi （the superior man） and Bu Sucan （unwilling to be non-feasance） .

关 键 词：宋玉 尚雅 隆雅 风流儒雅 

分 类 号：I206.2[文学—中国文学]