重述之事,重生之轮:《林中之死》的原型解读  

A Retelling Story an Everlasting Wheel:Interpretation of Death in the Woods from the Perspective of Archetypal Criticism

作　　者：周明[1] ZHOU Ming(Shenyang Normal University,Shenyang Liaoning 110034,China)

机构地区：[1]沈阳师范大学,辽宁沈阳110034

出　　处：《吉林省教育学院学报》2018年第8期171-174,共4页Journal of Jilin Provincial Institute of Education

摘　　要：作为舍伍德·安德森的代表作,《林中之死》讲述了一个名叫格雷姆斯的老女人的悲惨一生。安德森的故事总是拥有一种朦胧之美,这为我们多角度赏析这个故事提供了可能。基于原型批评理论,本论文提出安德森有意识地将格雷姆斯塑造为替罪羊的形象。与此同时,作为"无名之人中的一员",老妇人格雷姆斯注定了将作为咄咄逼人的父权社会、冷酷的机械时代以及冷漠的大自然的牺牲者;她的死亡与重生也成为了永生不息的重生之轮的一部分。As a masterpiece of Sherwood Anderson, Death in the Wood is a tragic story about an old woman who was called Mrs. Grimes. Sherwood Anderson＇s story possesses a unique charm of ambiguity that makes us can appreciate the story from the different perspectives. As＂one of the nameless ones＂, Mrs. Grimes was doomed to be a sacrificed victim of the aggressive Patriarchal society, the frozen Machine Age and the apathetic nature. Her death and rebirth were an organic part of the wheel of fortune which will be in an everlasting turning.

关 键 词：原型批评 替罪羊 父权社会 机械时代 自然 

分 类 号：I06[文学—文学理论]