以荒诞作为表征的底层欲望化叙事——以林白的《万物花开》为例  

The Underlying Desire Narrative Characterized by Absurdity:Taking Lin Bai's All Things Blossom as an Example

作　　者：张盟 ZHANG Meng(School of Arts,Fuyang Normal University,Fuyang Anhui 236000,China)

机构地区：[1]阜阳师范学院文学院,安徽阜阳236000

出　　处：《安徽广播电视大学学报》2018年第3期110-112,116,共4页Journal of Anhui Radio & TV University

基　　金：安徽省教育厅人文社科基金重点项目"当代文学‘情色’书写及文学史生成建构问题研究"(项目编号:SK2016A0706)

摘　　要：20世纪90年代的个体欲望化叙事在不同女作家那里表现出不同的景观,在林白的《万物花开》中主要表现为反叛男性话语的欲望化叙事。通过分析林白《万物花开》的异化型荒诞叙事,得出结论:该小说的荒诞性只是作为一种表象存在,深刻含义是经由它传达出内在的原生态的底层欲望。The erotic narration in the 1990 sshows different landscapes in different female writers.In Lin Bai＇s All Things Blossom,it mainly shows the anti-male erotic narration.Lin Bai＇s All Things Blossomis a catabolic and absurd narrative.Analyzing the absurdity of the novel,it is concluded that its absurdity exists only as an appearance,and the inner deep meaning is to convey the underlying desire of the original ecology through this absurdity.

关 键 词：《万物花开》 荒诞性 表象存在 原生态 

分 类 号：I206.7[文学—中国文学]