在“他者”中建构“自我”--解读陈河《红白黑》中华人自塑形象  

Constructing “Self” in “the Other”: Understanding the Chinese Self-Shaped Image in Chen He's Red and White Black

作　　者：邓珊珊[1] DENG Shanshan(College of Chinese Language and Culture,Huaqiao University,Quanzhou 362021,China)

机构地区：[1]华侨大学文学院,福建泉州362021

出　　处：《广东外语外贸大学学报》2018年第3期104-109,共6页Journal of Guangdong University of Foreign Studies

摘　　要：华人"自塑形象"是指由中国作家或华裔作家塑造出的中国人形象。加拿大华裔作家陈河的小说《红白黑》既从六十年前的历史记忆层面揭示了华人"自我"生存的现实困境,又从二十世纪九十年代移植海外的"他者"异域层面来刻画他们寻找生命的蝶变传奇。在经历对"他者"的仰视以及对"自我"文化身份的反思后,他们的人生迷雾才得以肃清。正是在中国与西方两个地域、两种文明的交流碰撞中,杨虹、谢青、秋媚他们自身固有的意识形态束缚和文化历史记忆清晰地呈现了出来,激发出隐藏于身体内在的真实与勇敢、认同与抵抗。陈河笔下的华人在他乡现实和故国历史的交叉之间,在"他者"与"自我"文化的对抗与对话中实现了"认识你自己"这一人类的永恒命题。Chinese self-shaped images generally refer to those shaped by Chinese writers themselves. Chen He＇s novel Red and White Black, not only revealed the real predicament of Chinese ＂Self＂ survival according to the historical memory 60 years ago, but also portrayed the legend of their search for life from the exoticism of ＂the Other＂ immigrating overseas in the 1990s. They went out of confusion after looking up to others and reflecting self cultural identity. Due to the exchanges and collisions between the two civilizations of China and the West, the inherent ideological bondage and cultural and historical memories of Yang Hong, Xie Qing, Qiu Mei themselves became clear. The collisions also stimulate the sincerity and courage, identity and resistance hidden inside the Chinese. In the reality of a foreign land and the history of their motherland, the Chinese portrayed by Chen He realized the eternal proposition of ＂Know Your Own＂ after the confrontation and dialogue between the ＂Other＂ and ＂Self＂ cultures.

关 键 词：陈河 《红白黑》 他者 自我 自塑形象 华人形象 

分 类 号：I042[文学—文学理论]