破宋人拘挛,多持平之论——王若虚文体学思想论析  

An Analysis of Wang Ruo-xu’s Stylistics

作　　者：任竞泽[1] REN Jing-ze(School of Chinese language and Literature,Shaanxi Normal University,Xi＇an 710119,China)

机构地区：[1]陕西师范大学文学院

出　　处：《河北学刊》2018年第5期107-112,共6页Hebei Academic Journal

基　　金：中国社会科学院创新工程重大项目《中华思想通史·文艺思想编》;2013年度国家社会科学基金重大招标项目《中外史记文学研究资料整理与研究》(13&ZD111)阶段性成果之一

摘　　要：王若虚文体学思想是其文学思想的重要组成部分,与其经学、史学思想亦有相通之处,在金代文体批评史上独成体系,堪与宋代欧阳修、黄庭坚、朱熹等文体学思想比肩。他主张以＂体制为先＂的辨体尊体为基础,同时肯定＂不必以寻常体制绳之＂的破体和变体观,在＂以文为诗＂和＂以诗为词＂上多持平之论。总体来说,秉持＂大体须有,定体则无＂的辩证通达文体观,破除了宋人之拘挛。Wang Ruoxu＇ s stylistic thought is an important part of his literary thought, and has something in common with his Confucian classics and historiography. It has a unique system in the history of Jin dynasty＇ s stylistic criticism and can be compared with 0uyang Xiu＇ s, Huang Ting-jian＇ s and Zhu Xi＇ s stylistic thoughts in the Song dynasty. He advocated that＂ system first＂ should be the basis of distinguis- hing style and respecting style. He also affirmed the breaking and variant view of ＂needn＇t be tied to the ordinary system＂. He held a more balanced view on＂ taking essay as poetry＂ and＂ taking poetry as poetry＂. Generally speaking, the adherence to the dialectical and accessible literary style of＂ generally there must be, but concretely there is not a set style＇broke the constraints of the Song dynasty.

关 键 词：王若虚 文体学思想 文体通变观 

分 类 号：I206.09[文学—中国文学]