知与情的糅合:穆旦早期诗歌意象论  

A Combination of Reason and Emotion: On the Imagery in Mu Dan's Early Poetry

作　　者：唐诗诗 Tang Shishi(School of Humanities and Social Science,East China Normal University,Shanghai 201100)

机构地区：[1]华东师范大学人文社会科学学院,上海201100

出　　处：《嘉兴学院学报》2018年第5期30-35,共6页Journal of Jiaxing University

摘　　要：在客观化抒情与意象比喻法则的追求中,穆旦诗歌中的意象是理智与情感的糅合,他把最大最深的知觉与雄伟的意志和现代人的生存意识结合起来,创造出一套自成体系的意象及意象群类,既有自然的基础、自觉的方向,又有潜意识的"能"与意识的"知"。穆旦的诗歌因以逻辑智性见长,多推进式的意象来扩展诗境,而较少单一或少量意象为核心的意象结晶。In the pursuit of objective lyric and figurative imagery law,the imagery in Mu Dan＇s poetry is a mixture of reason and emotion. He combined the greatest and most profound perception with the majestic will and the consciousness of modern people to create a set of self-contained images and image groups,which have both the natural foundation and the conscious direction,and the ＂energy＂of the subconscious and the ＂intelligence＂of consciousness. Mu Dan＇s poems,which are famous for its logic and intellect,often expand the poetic world with many logical and progressive images instead of the condensation of few or a single image.

关 键 词：穆旦 诗歌 意象 理智 情感 

分 类 号：I207.25[文学—中国文学]