三峡库区祀神歌舞“跳端公”的身体演说与活态保护研究  

Study on Physical Speech and Living Condition Protection of Duangong Dance for Sacrifice in Three Gorges Reservoir Region

作　　者：王海涛[1] WANG Hai-tao(Chongqing University,Chongqing 401331,China)

机构地区：[1]重庆大学,重庆401331

出　　处：《贵州民族研究》2018年第7期108-111,共4页Guizhou Ethnic Studies

基　　金：2018年度中央高校科研业务费专项项目"艺术学研究"(项目编号:2018CDXYYS0037)

摘　　要："跳端公"是长江文化生态中别具特色的民间祭祀活动,其仪式的巫术意味和程式化的身体语言构成了符号性的动作系统。自"非遗"保护以来,保护的重点惯常聚焦于传承的机制与形式上,未能从根本上解决"人"的生存问题、"舞"的精准问题以及"生态"的良性互动和创造性问题。文章从"跳端公"的"身体"出发,运用"原态""生态""动态"的逻辑次序推衍出从"元素化解构"向"创造性重构"的转换可能。并为"跳端公"的"活态"保护起到进一步的推动作用。Duangong dance is featured folk sacrifice activity in Yangtze River Cultural Ecology whose ritual witchcraft and formatting physical language constitutes symbol movement system.Since protection over intangible cultural relics,the emphasis of protection focuses on the mechanism and form of inheritance,which fails to solve the survival of human beings fundamentally,as well as the precision of dance and excellent ecological interaction and creation.Starting from the body of Duandong Dance,the thesis explains the symbolic language form and cultural metaphor from the perspective of dance,and strives to realize the transfer from element decomposition to creative reconstruction and tries to derive the sustainability and new meaning of ecological protection with the application of logic order of originality,ecology and dynamics,promoting further the synergetic development between The Three Gorges cultural ecology and Yangtze River culture.

关 键 词：跳端公 在场 身体性 活态保护 

分 类 号：C958[社会学—民族学]