庐剧传统小戏的情节模式探析  

On the Plot Pattern of Traditional Little Drama of Luzhou Opera

作　　者：褚群武 王方好[1] CHU Qunwu;WANG Fanghao(School of Literature,Media and Education Science;Institute of Theatre Literature,Chaohu University,Chaohu 238000,China)

机构地区：[1]巢湖学院文学传媒与教育科学学院,安徽巢湖238000 [2]巢湖学院戏剧文学研究所,安徽巢湖238000

出　　处：《淮海工学院学报（人文社会科学版）》2018年第9期72-75,共4页Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)

基　　金：教育部人文社会科学研究青年基金资助项目(13YJC760009);巢湖学院科研机构专项项目(XWY-201706)

摘　　要：庐剧传统小戏数量众多,故事题材充满浓郁的日常生活气息。处于社会底层的观众、熟谙底层生活的剧作者、特殊的地域文化,使得庐剧传统小戏在情节设置上具有鲜明的类型化、世俗化特征,这也是庐剧的魅力所在。There are a large number of traditional little dramas in Luzhou opera, which are full of strong daily life. The spectators at the bottom of the society, the dramatists of the bottom life and the special regional culture make the traditional little drama of Lu opera have the distinctive features of typology and secularization in the plot setting, which is the charm of the Luzhou opera.

关 键 词：庐剧 传统小戏 情节模式 类型化 

分 类 号：J825[艺术—戏剧戏曲]