审美的恐惧与审美的狂欢--济慈诗歌《幻想》赏析  

Aesthetic fear and aesthetic hilarity——An appreciation of Keats' poem Fancy

作　　者：曹良成[1] CAO Liang-cheng(School of Foreign Studies,Fuyang Normal University,Fuyang,Anhui,236037,China)

机构地区：[1]阜阳师范学院外国语学院,安徽阜阳236037

出　　处：《闽西职业技术学院学报》2018年第3期77-79,共3页Journal of Minxi Vocational and Technical College

基　　金：安徽省高校省级人文社科重点项目“菲利普·弗瑞诺传记比较研究(课题编号:SK2016A0685)”;阜阳师范学院校级网络课程资源建设项目“新西兰生态选读(课题编号:2017WLKC45)”;安徽省教育厅省级教学研究一般项目“碰壁点拨式:大学英语互联网+教学模式研究(2017jyxm0296)”

摘　　要：伟大的英国浪漫主义诗人济慈被誉为"诗人中的诗人"。基于诗歌文本细读的方法,从审美的角度来解读济慈抒情诗代表作《幻想》一诗。审美的恐惧来源于"美≠真"的现实世界,审美的狂欢来源于"美=真"的诗歌世界。《幻想》一诗一方面极力渲染审美的恐惧,诗歌运用疑问排比句来质问这个世界的美;另一方面则通过审美的狂欢,在幻想与想象的诗歌世界里尽情描绘狂欢的美好季节以及理想爱人。《幻想》一诗是审美的恐惧与审美的狂欢相互作用的产物。John Keats, the great British romantic poet, is acclaimed as “the poet of poets”.Based on close reading of poetic text, the poem Fancy, the representative lyric poem by Keats, isstudied from the aesthetic perspective. Aesthetic fear arises from the reality of “beauty=truth”,while aesthetic hilarity arises from the poetic world of “beauty ≠truth”. In the poem Fancy,aesthetic fear is utilized to query the beauty in the world by means of parallel interrogations. Onthe other hand, aesthetic hilarity is utilized greatly to depict the good seasons and the ideal loverin the poetic world of fantasy and imagination.

关 键 词：济慈 叶幻想曳 审美 

分 类 号：I561.072[文学—其他各国文学]