《楚辞》对《文心雕龙》“物色论”的建构作用及意义  

Chu-Ci’s Constructive Function and Significance to the “Scenery Description Theory”in The Literary Mind and the Carving of Dragons

作　　者：赵红梅[1,2] Zhao Hongmei

机构地区：[1]首都师范大学 [2]青岛大学文学院

出　　处：《中国文化研究》2018年第3期139-146,共8页Chinese Culture Research

摘　　要：《楚辞》是《文心雕龙·物色》篇论述的重要文本参考及依据，作为典范文本，其对该篇的理论建构产生重大影响。本文基于该篇所论，由《楚辞》之“触类而长”入手，分析了其感物入兴的心理转向、文辞表现的亦繁亦简，从而彰显其在山水文学创作传统中的突出成就与地位；通过对《楚辞》特点与“贵闲”、“尚简”结论的内在理路分析，亦确证其对“物色论”总结的潜在作用力。《楚辞》写景成就的“被发现”，大大助益、深化了《文心雕龙》对物色理论的思考与认识，也是“楚辞学”研究史上的重大推进。Chu-Ci is an important reference and basis of ＂The Sensuous Things＇of The Literary Mind and The Carving of Dragons. As a model text, influence on the theory of this article. This paper analyzes the psychological description and language expression of Chu-Ci starting with＂Chu-lei-er-zhang＂ Colors of Physical Chu-Ci has a great turning of scenery , and highlights its outstanding achievements and position in the tradition of landscape literature. Its latent acting force on scenery description theory is confirmed through internal logic analysis, which is the characteristics of Chu-Ci and the conclusion of advocating ＂ emptiness and stillness ＂ and ＂simplicity＂. Chu-Ci＇s achievements on scenery description greatly deepen Liu Xie＇s theoretical thinking and understanding , this finding is a significant advance in the research history on Chu-Ci

关 键 词：《楚辞》 物色《文心雕龙》理论建构 

分 类 号：I207.22[文学—中国文学]