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作 者:李何健 李雪艳 郁慧璇 施爱芹[1] LI Hejian;LI Xueyan;YU Huixuan;SHI Aiqin(College of Art and Design,Nanjing Forestry University,Nanjing 210037,China)
出 处:《家具》2018年第5期83-87,共5页Furniture
基 金:江苏省社会科学基金项目"江苏传统手工艺的活态传承与创新发展研究"(16YSB006);南京林业大学大学生实践创新训练计划项目"传统木质手工艺日用器物现代创新设计研究"(2017NFUSPITP295)阶段性成果
摘 要:中国作为使用木材最为广泛的国家之一,在长期运用的过程中,逐步形成了独具特色的结合方式与民族审美心理。着重介绍了木工艺在现代背景下的创新发展与现代化设计方法。通过研究传统木工艺在现代日用品中的设计与现在文化衍生品的结合,从设计思想、设计方法和产业结构改进的角度进行阐释,以期为木工艺的发展方向与行业交融做好铺垫。As one of the country to use wood material widely in the world, the raw material accessible locally in China is different from the stone in western countries. In the process of using natural wood material over time, a unique combination method and the national aesthetic psychology of woodenware ethnic were gradually formed. The innovation and development under the modern background and modern design method of woodcraft were presented primarily. By studying the combination of traditional woodcraft and modern cultural derivatives in the design of modern commodities from the perspective of design thought, design method, and industrial structure improvement, the authors put forward countermeasures to the combination of the development direction of traditional woodcraft and industry.
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