仫佬族依饭节道教祭祀音乐的田野考察  

Taoist Sacrificial Music of Mulao Nationality in Yifan Festival and Its Inheritance and Development

作　　者：谢美琳[1] Xie Meilin(Inner Mongolia Normal University Conservatory of Music,Inner Mongolia,Hohhot,01001)

机构地区：[1]内蒙古师范大学音乐学院,内蒙古呼和浩特010010

出　　处：《内蒙古艺术学院学报》2018年第3期36-40,共5页Journal of Inner Mongolia Arts University

基　　金：2017年内蒙古自治区高等学校科学研究项目名栏建设专项项目"田野调查"(项目编号:NJMZ1706)专栏论文

摘　　要：依饭节是仫佬族众多传统节日里最隆重、最盛大、最受欢迎的一个,其所用的宗教祭祀音乐是仫佬人崇拜自然、忠贞信仰善良、善良、勤劳、纯朴的追求。依饭节成了仫佬人的寄托与希望。道教师公是整个祭祀仪式的主要掌控人,仪式活动吸引了来自本族,以及对依饭节道教祭祀有广泛使用和认同的外来人员的观赏。依饭节祭祀音乐是融合道教神祗,以及民间礼俗于一体的综合性形式。通过本人实际田野考察,从民族音乐学的角度,以依饭节祭祀仪式的声音、音乐和文化为切入点,研究依饭节祭祀仪式中的思想(信仰)、行为(仪式)、声音(音乐)三者间的互动关系。YiFan Festival is the most grand and popular one of Mulao nationality traditional festivals. The religious sacrificial music it uses is the symbol of Mulao people＇s worship of nature, faithful belief, hardworking and simple pursuit. Yifan Festival has become Mulao people＇s sustenance and hope. The grand Taoism is the main master of the whole ritual, and the ritual activities attract people from their own ethnic group, as well as the foreigns who widely recognized Taoism sacrifices. Sacrifice music is a comprehensive form of integrating Taoist gods and folk rites and customs. Through my actual field study, from the perspective of ethnomusicology, taking the sound, music and culture of the sacrificial ceremony in accordance with the rice festival as the starting point, this paper studies the interaction among thought （belief）, behavior （ritual） and sound （music）.

关 键 词：依饭节 道教祭祀 音乐 

分 类 号：G122[文化科学]