关于近体诗丙种句式“拗救”问题的再认识  

Further Discussion on the Question of “Ao Jiu ”in the C-type Sentence Pattern of Modern Style Poetry

作　　者：杨华[1] YANG Hua(School of Chinese Language and Literature,China West Normal University,Nanehong 637009,China)

机构地区：[1]西华师范大学文学院,四川南充637009

出　　处：《西华师范大学学报（哲学社会科学版）》2018年第5期83-87,共5页Journal of China West Normal University:Philosophy & Social Sciences

摘　　要：在近体诗丙种句式中,常见的拗救形式是,将五言的第三字改平为仄,第四字改仄为平,此时五言的第一字并非必用平声,而是平仄不拘。如果只把五言第三字改平为仄,第四字平仄不变,此时五言的第一字同样并非必用平声,而是可平可仄。对近体诗五言丙种句式来说,"四拗三救"的说法比"三拗四救"更为贴切。In the c-type sentence pattern,the common torm of ＂ ao jiu＂ （拗救） in the five-character modern style poetry is to turn the third character from level tone to oblique tone and turn the forth character from oblique tone to level tone. In this ease,it is not only a level tone character but a level tone or an oblique tone character can be used at the location of the first character. If only the third character is turned from level tone to oblique tone, the forth character remains unturned,it is also possible to use not only a level tone character but a level tone or a oblique tone character at the location of the first character. As far as the e-type sentence pattern of five-character modern style poetry,the statement of ＂si ao sara jiu＂ （“四拗三救”） is more appropriate than ＂sara ao si jiu＂ （“三拗四救”）.

关 键 词：近体诗 丙种句式 拗救 

分 类 号：H109.2[语言文字—汉语]