四十年代新诗中的“母亲”意象——以艾青、七月派、九叶派为例  

Image of "Mother" in New Poems in 1940s——Take Ai Qing,the July School,and the Jiuye School as Examples

作　　者：赵航[1] ZHAO Hang(Shanxi Normal University,Linfen Shanxi 041000,China)

机构地区：[1]山西师范大学,山西临汾041000

出　　处：《齐齐哈尔师范高等专科学校学报》2018年第5期26-28,共3页Journal of Qiqihar Junior Teachers College

摘　　要：艾青和新诗史上两个极其重要的诗歌流派——新月诗派和九叶诗派,虽然同出现在二十世纪四十年代的战争背景之下,但在对"母亲"这一意象的使用上显现出了不同的视角与审美态度,从而表现出各自不同的诗学追求和态度。Ai Qing and the two most important poetic schools in the history of new poetry, the New Moon School and the Jiuye School, ap-peared in the context of the war in the 1940s, but they used the image of the mother. Different perspectives and aesthetic attitudes ap-peared on it, which showed their different poetic pursuits and attitudes.

关 键 词：艾青 七月诗派 九叶诗派 “母亲”意象 比较 

分 类 号：I226[文学—中国文学]