耶律楚材诗之文化内涵  

The Cultural Connotation of Yelu Chucai's Poems

作　　者：崔淼 王素美[2] CUI Miao;WANG Su-mei(Nankai University,Tianjin 300000;Hebei University,Baoding,Hebei,065011)

机构地区：[1]南开大学,天津300000 [2]河北大学,河北保定065011

出　　处：《邢台职业技术学院学报》2018年第4期91-97,共7页Journal of Xingtai Polytechnic College

基　　金：2010年度教育部后期成果资助项目--"元诗发展史"

摘　　要：儒释道相兼、相融,源远流长,构成了中国传统文化的主体。魏晋时期兴起的玄学标志着三教融合的开始。隋唐的儒、释、道并驾齐驱,互相渗透,终于酿造了宋明理学而使三教思想之融合更显周密。元之际的北方社会正处于多元文化互相冲突,互相渗透互相融合深入发展的阶段。耶律楚材融合儒释道思想是历史之必然,这些都在他的诗歌创作中表现出来,但学术界目前对此研究尚少,本文着重研究其中儒、释、道兼融的文化内涵。Confucianism, Buddhism and Taoism have been mutually compatible and integrated for a long time,constituting the main body of Chinese traditional culture. The metaphysics emerged in Wei and Jin dynasties marked the beginning of the integration of the three religions. In the north China of Jin and Yuan dynasties,diversified cultures experienced conflicting, penetrating, and integrating with each other. Thus, it is inevitable that Yelu Chucai’s poems had integrated with the ideologies of Confucianism, Buddhism and Taoism, which is seldom studied at present. This paper focuses on the cultural connotation of Confucianism, Buddhism and Taoism in his poems.

关 键 词：儒释道 耶律楚材 诗歌 文化内涵 

分 类 号：I207.22[文学—中国文学]