民族传统劳动行为在音乐表演中的转换  

The Transformation of Traditional Ethnic Labor Behavior in Music Performance

作　　者：孙道东[1] SUN Dao-dong(Department of Art,Ocean University of China,Qingdao,Shandong 266003,China)

机构地区：[1]中国海洋大学艺术系,山东青岛266003

出　　处：《贵州民族研究》2018年第8期78-81,共4页Guizhou Ethnic Studies

基　　金：海南省社会科学研究2013年资助项目"海南古代‘军歌’的历史文化价值及艺术价值研究"(项目编号:HNSK(Z)13-76);河南省软科学研究计划项目"多元文化音乐教育与增强学生创新能力问题研究"(项目编号:092400430034)(豫科软(2010)106号)的阶段性成果

摘　　要：受民族群众生活属性和地域文化的影响,少数民族传统音乐表演逐渐成为劳动行为的艺术承载和劳动符号的抽象浓缩,既彰显着民族群众以粗简劳动行为为"愉悦神灵、追思祖德"的信仰理念,又折射着民族群众"热爱劳动、忙中寻乐"的智慧创造,进而使得民族群体的劳动行为被抽象为音乐表演的雏形。因此,基于民族音乐表演的类别具体内化民族传统劳动行为在音乐表演中的转换,在追索民族音乐文化深奥内涵的同时掀开民族音乐表演的原生态面孔。Influenced by life features of ethnic people and their culture, the music performance has gradually become the artistic bearing of minority labor behaviors and the abstract enrichment of labor symbols, reflecting the belief of＂pleasing the gods and memorizing moralities＂of minority people in their rough labor behavior and the wisdom of ＂loving your work and seeking happiness in it＂. Thus, the work of ethnic groups is abstracted as the rudiment of musical performance. Therefore, based on ethnic music categories, the paper explores the internalization of specific labor practices in music performances and reveals the original face of ethnic music performance while tracing the music culture and profound connotation of ethnic music.

关 键 词：民族音乐 劳动符号 即兴转化 文化内涵 

分 类 号：J60-052[艺术—音乐]