民族建筑设计中传统宗教文化的摄入  

Intake of Traditional Religious Culture in Ethnic Architectural Design

作　　者：须博[1] 过伟敏[1] XU Bo;GUO Wei-min(School of Design,Jiangnan University,Wuxi,Jiangsu 214122,China)

机构地区：[1]江南大学设计学院,江苏无锡214122

出　　处：《贵州民族研究》2018年第8期125-128,共4页Guizhou Ethnic Studies

基　　金：教育部人文社会科学研究青年基金项目"苏南地区宗教建筑及相关文化影响下的演化"(项目编号:13YJC760096)的阶段性成果

摘　　要：民族群体在同自然荣辱与共的生存中逐渐形成了传统宗教理念,并且随社会生活的深入逐渐将宗教信仰融入到建筑设计当中,使传统宗教文化成为可视化的建筑艺术。然而宗教化的民族建筑色彩在建筑艺术的洗礼中逐渐被民族化与地域化,特别是"民族风情园"旅游潮推动下民族建筑内涵逐渐缺失,宗教色彩式建筑设计逐渐固化,严重影响着原生态民族建筑的现代采纳。因此,民族建筑设计中传统宗教文化的摄入成为透析民族建筑色彩的必然选择。Ethnic groups have gradually formed a traditional religious concept in the same life as natural honor and disgrace. With the deepening of social life, religions have gradually been integrated into architectural design, making traditional religious culture a visual architectural art. However, the religious national architectural colors have gradually been nationalized and regionalized in the baptism of architectural arts. In particular, the national architectural connotation is gradually lacking due to the tourism trend of ＂national ethnic parks＂. The religious color architectural design gradually solidifies, seriously affecting the original The modern adoption of ecological ethnic architecture. Therefore, the intake of traditional religious culture in ethnic architectural design has become an inevitable choice for dialysis of national architectural colors.

关 键 词：建筑设计 宗教文化 运用 摄入 

分 类 号：C913.31[经济管理]