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作 者:郭素英[1] GUO Su-ying(Schod of Foreign Studies,Nantong University,Nantong 226019,China)
出 处:《南京工程学院学报(社会科学版)》2018年第3期40-45,共6页Journal of Nanjing Institute of Technology:Social Science Edition
基 金:国家社科基金重大项目"东亚楚辞文献的发掘;整理与研究"(13&ZD112);南通市社科基金项目"楚辞在日本的传播与接受研究"(2017CNT026)
摘 要:石川三佐男是日本现代《楚辞》研究的重要学者之一。他的研究主要以《九歌》为中心,兼及《九章》和《离骚》等作品。他通过考察近半个世纪以来我国出土秦汉时期楚文化相关考古资料,提出《九歌》系列作品实际上起源于丧葬文学。考古学与文献学相结合的"二重证据法"是石川三佐男研究《楚辞》的重要方法。他在广泛涉猎的基础上探索事物的联系,获得了很多新发现,其观点新颖,推论大胆,给中外学者以启发,虽然有些结论略有牵强附会之嫌,但瑕不掩瑜。Mitsuo ishikawa is an important scholar in the study of modern chu ci in Japan. His research focuses on Nine Songs , and also includes the works of Nine Chapters and Li Sao .He pointed out that chu ci literature originated from funeral literature by investigating the archaeological materials related to chu culture during the qin and han dynasties unearthed in China for nearly half a century. Using the “two-proof method” combined with archaeology and philology, Ishikawa has explored the connection of things and obtained many new discoveries on the basis of extensive researches. His novel opinions and bold inductions inspire Chinese and foreign scholars. Although some conclusions are slightly far-fetched, their flaws do not hide their highlights.
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