帕斯捷尔纳克的《心灵》1915年版本分析  

An Analysis of the 1915 Version of Pasternak's Soul

作　　者：初金一 Chu Jinyi

机构地区：[1]美国斯坦福大学

出　　处：《俄罗斯文艺》2018年第4期72-80,共9页Russian Literature & Arts

摘　　要：分析《心灵》一诗的1915年版本,第一,可以揭示帕斯捷尔纳克早期创作中句法和语义含混的技巧;第二,可以导向对帕斯捷尔纳克和新康德主义哲学的联系进一步探究;第三,可以重访关于20世纪初俄国文论中关于隐喻和转喻的讨论。通过诗学语义学和历史分析结合的方法,此文证明《心灵》呈现出一种"时间"、"心灵"、"创作"三主题平行前进又统一于"对边界性的超越"这一理念的文本结构。This article analyzes the 1915 version of Pasternak＇s Soul as an example of the poet＇s early poetics. It argues that the technique of syntactical and semantic ambiguity enables the poet to simultaneously put forward three themes： ＂time,＂ ＂soul,＂ and ＂creation.＂ In this poem these themes are structured as three facades of the intrinsic motif ＂the overcoming of artificial boundary.＂ A close reading of Pasternak＇s early works explores new ways in which we integrate historical and semantic analyses, intervene in the polemics on metaphor and metonymy, and shed new light on Pasternak＇s relationship with Neo-Kantian philosophy .

关 键 词：帕斯捷尔纳克 隐喻 转喻 句法 雅各布逊 新康德主义 语义学 

分 类 号：I512.072[文学—其他各国文学]