五山文学中的山茶诗与山茶画  

Poems and Paintings on Camellia in Gozan Literature

作　　者：范维伟[1] 

机构地区：[1]北京师范大学文学院

出　　处：《日语学习与研究》2018年第5期109-116,共8页Journal of Japanese Language Study and Research

基　　金：2015年度国家社会科学基金重大项目<五山文学别集的校注与研究>(15ZDB089)的阶段研究成果。项目主持人:张哲俊;2017年国家建设高水平大学公派研究生项目(联合培养博士研究生)资助研究(项目编号:留金发[20173109])的阶段研究成果。项目主持人:范维伟

摘　　要：五山文学中有多首关于山茶花的诗作,大部分为题画诗。室町时代至江户初期的传世画作中也屡屡能见到山茶花的花姿。五山诗僧对山茶花的歌咏,主要受到了中国宋代文学的影响。室町画家吸收了中国的绘画手法,但又在组合形式上进行了创造性发挥。这种创造性背后有对现实世界的摹写,也有对庄子笔下"大椿"形象的摄取。而山茶花画的流行、时人对庄椿观念的广泛接受,也使得五山诗僧对梅花也产生了"梅八千岁"的奇妙联想。There are many poems on camellia in gozan literature and most of them are poems inscribed on paintings, while the image of camellia often appears in the paintings from the Muromachi period to the early Edo period. Literature of the Song dynasty had great influence on poems on camellia. The Japanese paintings of camellia are also affected by the sketches of Song and Yuan dynasties, but exert their creativity in constitution form. The creativity is not only a copy of the real world, but also accepts the image of Zhuangzi＇s ＂big bang＂. The popularity of camellia paintings and the acceptance of Zhuangzi＇s concept stirred gozan poets＇ imagination of the eight thousand year-old plum blossom.

关 键 词：五山文学 中国文学 绘画 山茶 椿 

分 类 号：I313.072[文学—其他各国文学] J205[艺术—美术]