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作 者:毛海莹[1] MAO Hai-ying(Faculty of Humanities and Media,Ningbo University,Ningbo 315211,China)
机构地区:[1]宁波大学人文与传媒学院,浙江宁波315211
出 处:《宁波大学学报(人文科学版)》2018年第6期20-26,共7页Journal of Ningbo University:Liberal Arts Edition
基 金:教育部人文社会科学研究规划基金项目"文化转型期女性民俗与女性文化形象构建研究--以江南地区为例"(16YJAZH046)
摘 要:文学与民俗相生相伴,尤其是中国现代文学与中国现代民俗学的发生发展有着内在联系。在中国现当代文学近百年的发展历程中,女性民俗作为文学启蒙的一个触手,其发展也经历了民俗与启蒙的互动、民俗与政治的博弈、民俗与风情的融合等阶段。女性民俗的文学嬗变,其背后体现出时代作用于文学的复杂因素,研究其文学发展脉络对于文学创作尤其是当代女性文学发展具有借鉴意义,也开启了中国现当代文学新的批评视角。Literature and Folklore are mutually generated. The relations between Chinese modern literature and Chinese Modern Folklore are especially so. As a catalyst of literature enlightenment, the study of female folklore undergoes three stages including the interaction between folklore and enlightenment, the contest between folklore and politics, the fusion between folklore and customs in the course of one-hundred-year development of Chinese modern and contemporary literature. The evolution shows the impact of complicated elements of era on literature. Research on folklore’s developments in literature has significant meaning to literature creation especially to the development of contemporary female literature. It also opens a new perspective for the critical study of Chinese modern & contemporary literature.
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