叙事伦理视域下中美气象电影跨文化传播的困境及进路——以《超强台风》和《完美风暴》为例  

The Dilemma and Approaches to the Cross-cultural Communication of Meteorological Film between China and America under the Perspective of Narrative Ethics——Taking Super Typhoon and the Perfect Storm as an Example

作　　者：常怡明 CHANG Yiming(School of Journalism and Culture Communication,Zhongnan University of Economics and Law,Wuhan 430073,China)

机构地区：[1]中南财经政法大学新闻与文化传播学院,湖北武汉430073

出　　处：《中原工学院学报》2018年第5期27-33,共7页Journal of Zhongyuan University of Technology

基　　金：中南财经政法大学研究生教育创新计划项目(201810908)

摘　　要：基于叙事伦理视角,以上映时间、题材、所包含的主要气象元素为限定条件,选取中国电影《超强台风》和美国电影《完善风暴》,对比分析中美气象电影所蕴含的文化异同,进而破解中国电影跨文化传播的困境。面对气象电影走出国门产生的"文化折扣"现象,我们应该在汲取东方传统文化精华,努力做好"差异美学"电影的前提下,进一步学习借鉴美国电影的好莱坞经验,重视挖掘中国传统文化与西方文化中的共同"意义",避免文化差异产生的矛盾、冲突和误解,使海外受众产生文化及身份认同,从而最终实现中国气象电影良好的传播效果。Based on the perspective of narrative ethics and the time, subject and main meteorological elements chosen as defined conditions, we selected Super Typhoon and the Perfect Storm, a Chinese meteorological film and an American meteorological film respectively, and made a comparative study of the cultural similarities and differences conveyed in the two films, aiming at breaking the predicament of cross-cultural communication of Chinese films. In the face of the Cultural Discounts that the meteorological films have produced when going abroad, we should learn from the Hollywood experience of American films attach great importance to the shared meanings of the Chinese traditional culture and Western culture, while learning the essence of Eastern traditional culture and striving to make the Differential Aesthetics movie. We should try to avoid the contradictions, conflicts and misunderstandings arising from cultural differences, making overseas audiences accept our culture, then we ultimately achieve a good dissemination effect of Chinese meteorological films.

关 键 词：叙事伦理 气象电影 困境 跨文化传播 

分 类 号：J992[艺术—电影电视艺术]