论娄烨电影的视听修辞  

On the Audiovisual Rhetoric of Lou Ye's Works

作　　者：李婧 Li Jing

机构地区：[1]山东艺术学院传媒学院,山东济南250300

出　　处：《民族艺林》2018年第3期68-73,共6页Journal of Ethnic Art

摘　　要：第六代导演是中国影坛上备受瞩目的一个群体,娄烨可谓是第六代导演中极具潜力的一位。因其作品题材和内容备受争议以及受严格的审查制度所限,他的许多作品无法出现在大众的视野中,但这并未影响娄烨对电影的热爱以及通过电影途径表达自我。娄烨电影的价值不仅在于对人性的深入挖掘,所采用的视听修辞也独具特色,为中国电影的发展增添了浓墨重彩的一笔。文章着重分析娄烨电影中独特的视听修辞,并对其中欲望主题的表达所起的作用进行深入探讨和研究。The sixth generation of directors is a highly anticipated group on the Chinese film circles. LouYe is one of the most promising artists of the sixth generation of directors. His works are also subject tocontroversy and rigorous censorship due to their subject matter and content. The limitations of the system havecaused many of his works to fail to appear in the public’ s field of vision. However, this has not affected hislove to the film and the way to express himself through the film. The value of the films not only lies in theexcavation of human nature, but also uses unique audiovisual rhetoric devices, adding glory to thedevelopment of Chinese films.The paper focused on the analysis of the unique audiovisual rhetoric in Lou Ye’s film, conducted in-depth discussions and researched into his important role in expression of the theme ofdesire.

关 键 词：娄烨 视听修辞 情感 人性 欲望主题 

分 类 号：J905[艺术—电影电视艺术]