隐喻性在中国朦胧诗中的体现  

The Embodiment of Metaphor in Chinese Misty Poems

作　　者：陈露[1] CHEN Lu(Liaoning University,Shengyang 110036,China)

机构地区：[1]辽宁大学文学院,辽宁沈阳110036

出　　处：《浙江工商职业技术学院学报》2018年第3期32-35,共4页Journal of Zhejiang Business Technology Institute

摘　　要：中国朦胧诗发轫于二十世纪七十年代末八十年代初,是在文学复苏的时代语境下萌芽的全新诗歌创作浪潮,朦胧诗人的创作受惠于西方现代主义诗歌,它的主要特征呈现为带有隐喻特征的意象书写。这与美国著名文化批评家希利斯·米勒提出的文学本质观不谋而合。这种"隐喻性"在中国朦胧诗中体现为"符号化的诗人意志"、"自由化的抒情指向"与"模糊化的诗歌意境"。Chinese misty poems originated in the late 1970 s and early 1980 s. It is a new wave of poetry creation in the context of the revival of literature. The creation of the poet is inspired by Western modernist poetry. Its main features are described as imagery with metaphorical traits. This coincides with the view proposed by Ameri can literacy critic Hillis Miller（1928-）. ＂Metaphor＂ is embodied in Chinese poetry as ＂the symbolic poet＇s will＂,＂liberalized lyric orientation＂ and ＂fuzzy poetic artistic conception＂.

关 键 词：中国朦胧诗 隐喻 希利斯·米勒文学本质观 

分 类 号：I227[文学—中国文学]