生活世界化自然的构建——生态现象学视域下的美国现代田园挽歌  

The Construction of Life-Worldly Nature:Eco-Phenomenology and Modern American Pastoral Elegy

作　　者：张磊[1] 彭予[1] Zhang Lei;Peng Yu(School of Foreign Languages,Beihang Universit)

机构地区：[1]北京航空航天大学外国语学院

出　　处：《当代外国文学》2018年第3期31-38,共8页Contemporary Foreign Literature

基　　金：国家社会科学基金项目"美国幻觉型诗人研究"(13BWW052)的阶段性成果

摘　　要：20世纪后半叶,美国生态环境急剧恶化,社会的生态意识逐渐增强,这一时期兴起的美国现代田园挽歌对待自然环境的态度也随之发生巨大变化。美国现代田园挽歌表现出的生态意识中渗透着现象学"返回事物本身"的精神,预示了生态现象学在美国的诞生。打破人与自然主客二分的观念是美国现代田园挽歌的诗学追求,也是生态现象学的基本理论主张。本文在生态现象学视域下分析美国现代与传统田园挽歌的区别,探讨其构建生活世界化自然的基本范式及在应对现代人面临的生态危机中可能发挥的积极作用。In the second half of the 20th century, with the dramatic deterioration of the environment and the enhancement of ecological consciousness in American society, modern American pastoral elegies, which took the stage as a result, started to showcase significant changes in man＇s attitude towards the natural environment. The ecological consciousness undergirding these elegies denotes the phenomenological attitude of ＂back to the things themselves,＂ which anticipated the birth of eco-phenomenology in the United States. To overcome the subject-object dichotomy is both the poetic pursuit of modern American pastoral elegies and the theoretical basis of eco-phenomenology. This article takes the perspective of eco-phenomenology to analyze the difference between American traditional and modern pastoral elegies, and to explore the latter＇s basic paradigms in constructing the world of life as well as its possible inspirations for modern subjects in face of ecological crises.

关 键 词：生态现象学 美国现代田园挽歌 生活世界化的自然 主客二分 

分 类 号：I712.06[文学—其他各国文学]