对民俗艺术形象与民间信仰变迁之关系的考察——以日本稻荷信仰中的“狐”为例  

A Study of the Correlation between Folk Art Images and the Transition of Folk Beliefs: with fox in the Inari Shrine belief as an example

作　　者：刘克华[1] 李阳 LIU Ke-huaI;LI Yang(School of Foreign Languages,Southeast University,Nanjing,Jiangsu 210095;Zhejiang Jinhua Foreign Language School,Jinhua,Zhejiang 321200)

机构地区：[1]东南大学外国语学院,江苏南京210018 [2]浙江金华外国语学校,浙江金华321200

出　　处：《艺术百家》2018年第3期61-65,252,共6页Hundred Schools In Arts

摘　　要：对于民俗艺术的考察不能仅仅从艺术的狭隘视野出发,而是要立基于更广阔的民俗文化视野,把关于艺术形象的研究与民俗文化的研究联系起来,才能更深刻地把握民俗艺术的内涵、生成原因和发展动力。稻荷神社中的狐狸雕塑是一种富有日本文化特色的民俗艺术,而这种艺术形象的产生和变化,与其说遵循的是艺术发展规律,不如说与民间信仰变迁的关联更为紧密,在原始宗教系、神道教系和佛教系三大教系中形成了各具特色的艺术形象。The study of the folk art should be based on the folk culture, which has a broader vision than the narrow perspective of the art itself. The connotations, generative causes and power of development of the folk art cannot be profoundly studied unless the research about the artistic images is combined with that about the folk culture. The statue of the fox in the Inari Shrine is a typical folk art in the Japanese culture. The emergence and the change of the artistic image correlate more with the transition of the folk belief than the principle of the de- velopment of the art. It forms unique artistic images in the original department of religion, the department of Shinto and the department of Buddhism respectively.

关 键 词：艺术理论 民俗艺术 稻荷信仰 狐狸 艺术形象 变迁 

分 类 号：J02[艺术—艺术理论]