非构思写作学:中国传统写作美学的当代转换与升华——迈向后批判实践哲学的“新现代写作学”探索历程  

Non-conception Writing: The Contemporary Transformation and Sublimation of Chinese Traditional Writing Aesthetics——Exploring the "New Modern Writing Theory" of Critique of Practical Philosophy

作　　者：马正平[1,2] Ma Zhengping

机构地区：[1]四川师范大学文学院 [2]四川省政府文史研究馆

出　　处：《写作》2018年第4期41-55,共15页Writing

摘　　要：较为详细地回顾了笔者从改革开放40年来,对当代写作学从理性的现代主义认识论的"文章学"和"现代写作学"转向到写作审美行为深处的写作"赋形思维"论、"知行递变"写作过程论、写作文化论、写作策略论、写作生长论、"写作路径思维"论到"非构思写作学"知识体系的建构过程。这个过程就是一个立足中国传统的古代文论即写作美学自信,用改革开放的学术视野与后批判实践哲学的观念方法,平视西方,对中国传统文论即写作美学理论进行现代转化与升华的过程,从而使当代中国传统的古典写作美学理论走向了后批判实践哲学的新现代主义写作学的新境界。由于"非构思写作学"的写作思维论、写作生长论、写作文化论,实际上也是关于文学与艺术创作中的艺术创作思维、审美思维原理的研究,因此,非构思写作学实际上也是一种写作、文艺创作活动的审美学规律的研究成果。更重要的是,"时空美学"关于审美思维原理——直观与折射——的思维原理猜想与阐释,其灵感也是来自于写作赋形思维的基本理论。因此,本文既是"非构思写作学"的个人学术史叙事,也是"时空美学"从文艺创作、写作活动侧面对创作美学原理研究历程的学术叙事。理解写作审美思维原理对于理解时空美学基本原理与新现代后批判实践哲学原理具有奠基的意义。this article has reviewed the construction process of ＂non-conceived writing＇knowledge systemin the 40 years since the reform and opening,which contemporary writing theory shifted from the ＂artisties＂ and ＂modern writing＂ of rational modernist epistemology tothe depths of writing aesthetic behaviorthatinclude ＂repetition strategy thinking＂ theory, ＂change in understanding and behavior＂ theory, ＂Writing culture＂ theory, ＂writing strategy＂ theory, ＂writing growth＂ theory and ＂pathway thinking＂ theory. This is aChinese ancient literary theory. It uses the academic vision of reform and opening and the post-criticism of practical philosophy to carry out the process of modern transformation and sublimation of Chinese traditional literary theory. This makes the Chinese classical writing aesthetics theory move to a new realm of post-criticism practice philosophy of new modernist writing. Because the writing thinking theory, writing growth theory and writing culture theory of ＂non-conceived writing＂ are about the study of artistic creation thinking and aesthetic thinking in literature and art creation, non-conceived writing is actually the research results ofthe aesthetic law of creative activities about writing and literature. More importantly, the conjecture and interpretation of the ＂intuition and refraction＂ thinking principle in my ＂temporal aesthetics＂ theory is also inspired by the basic theory of repetition strategy thinking. Therefore, this article is not only the narrative of my academic history of ＂non-conceptual writing＂, but also the academic narrative of my ＂temporal aesthetics＂ theory that from the side of literary creation and writing activities to the research process of creative aesthetics. Understanding the principle of writing aesthetic thinking has a foundational significance for understanding the basic principles of temporal aesthetics and new modern post-critic practice philosophy.

关 键 词：非构思写作学 中国传统写作美学 转化与升华 新现代 后批判哲学 实践原理 时空美学 

分 类 号：H315[语言文字—英语]