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作 者:秦秋咀 Qin Qiu-ju(Department of Chinese Language and Literature,Hengyang Normal University,Hengyang Hunan,121002,China)
出 处:《衡阳师范学院学报》2018年第4期104-108,共5页Journal of Hengyang Normal University
基 金:教育部人文社会科学研究规划基金项目"玄学本体论与六朝文学本体论相关性研究"(15YJA751022)
摘 要:嵇康是魏晋之际充满悲剧色彩的脱序人,其主动脱序祈向内在地决定于他的"自得"、"意足"的情性思想。浸润于嵇康作品中的个性化的情感,既是其情性观的外在显现,更是文化激变时代文人兼名士的复杂心声。Ji-Kang, a man who fell into anomy at the turn of the Wei and Jin Dynastics, falls of the color of tragedy. His desirc to disorder initiatively is inherently decided by his ideology about the natural instincts, which means to find one's own funand to meet one's nature. His personalized feelings, which are infiltrated into the works, are both the external show of his idc-ology about the natural instincts, and the complex voices of the writers and fellows in the shocking time with a cultural change.
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