互文性的理论渊源及其在当今的发展演变  

The Theoretical Sources of Intertextuality and Its Current Evolution

作　　者：丁礼明[1] 

机构地区：[1]福建省三明学院外国语学院

出　　处：《文学理论前沿》2017年第2期45-67,共23页Frontiers of Literary Theory

基　　金：作者主持承担的福建省社科规划项目“语言学话语论范式下劳伦斯小说的现代性研究”[项目编号:FJ2017X008]的阶段性成果;三明学院科研启动资助项目“劳伦斯文学现代性的多维研究”[项目编号:16YG015]的阶段性成果

摘　　要：互文性生理论是20世纪60年代由朱丽娅·克里斯蒂娃首创，现已逐渐成为当代文学研究的一门显学，并持续影响了多种文学理论流派。期间罗兰·巴特、雅克·德里达以及哈罗德·布鲁姆、希利斯·米勒等当代的文论家都对文学互文性理论的演变和发展做出了贡献。20世纪90年代美国学者萨伊斯·摩根对互文性理论进行了必要的修正和补充，并创新性地提出了肯定互文、否定互文和内在互文的互文三原则，延伸了克里斯蒂娃的文学互文理论外延和内涵。本文基于此对互文性的理论渊源及其在当今的发展演变进行梳理，为国内这方面研究的延续性做一些铺垫。Since Julia Kristeva first coined the term in the 1960s, intertextuality has been a dominant concept within cultural and literary studies, and it has continuously influenced various theoretical genres. In the contemporary era, Roland Barthes, Jacques Derrida, Harold Bloom, and J. Hillis Miller have all made their own contributions to the evolution and development of literary intertextuality theorv. In the 1990s Thais E. Morgan made necessary modification and supplement to intertextuality and put forward innovational three principles to extend Kristeva＇s literary intertextuality theory and its connotation： positive intertextuality, negative intertextuality and inner intertextuality. This essay tries to trace the theoretical origin and development of intertextuality in order to lay a foundation for future researches.

关 键 词：文学互文性 文本理论 肯定互文 否定互文 

分 类 号：I0[文学—文学理论]