宗教艺术的定义、性质、边界及基本形态初论  

A Preliminary Discussion on the Definition, Nature, Boundary and Basic Form of Religious Art

作　　者：王敏庆[1] 张总[2] WANG Minqing;ZHANG Zong

机构地区：[1]中国社会科学院文学研究所,北京100732 [2]中国社会科学院世界宗教所,北京100732

出　　处：《艺术探索》2018年第5期73-78,共6页Arts Exploration

摘　　要：宗教艺术形态学属基础性理论研究,旨在明确原来使用或理解模糊的相关概念,揭示宗教艺术的内部结构,以及这个结构中各部分之间的关系。与以艺术本体论为原则的形态划分不同,从宗教属性出发,以人在宗教中的活动为着眼点,以功能论为主要依据,宗教艺术可划分为三大基本形态:空间场域、文字载体和工具器物,这与敬拜修持综合体、宗教思想收授综合体以及礼仪用具综合体三个宗教概念层是相对应的,落实在物质层面上则有六种子形态:"石窟""寺、院、庙、堂等""塔和塔楼""圣墓""典籍"和"法服器具"。Religious art morphology is a basic theoretical study aimed at clarifying the related used concepts or understanding the ambiguity, revealing the internal structure of religious art, and the relationship among various parts of this structure. Different from the morphological division based on the principle of artistic ontology, from the religious attributes, the activities of people in religion are the focus, and the function theory is the main basis. Religious art can be divided into three basic forms： space field,characters and tools, which correspond to the three religious concepts of the worship and practice complex, the religious thought-receiving complex, and the ceremonial apparatus complex. On the material level, there are six basic sub-patterns： ＂cave＂, ＂temples, courtyards, temples, churches, etc. ＂, ＂pagoda and bell tower＂, ＂holy tombs＂, ＂ancient books and records＂ and ＂ritual clothing and tools.＂

关 键 词：宗教艺术 形态 审美功用 精神性功利功用 

分 类 号：J0[艺术—艺术理论]