论杜夫海纳对海德格尔“诗之思”的继承与超越  

Mikel Dufrenne's transcendence of Martin Heidegger in aesthetic perception

作　　者：董惠芳[1] DONG Hui-fang(School of Chinese,Bohai University,Jinzhou,Liaoning 121013,China)

机构地区：[1]渤海大学文学院,辽宁锦州121013

出　　处：《河北师范大学学报（哲学社会科学版）》2018年第5期78-82,共5页Journal of Hebei Normal University(Philosophy and Social Sciences)

基　　金：教育部人文社科青年项目(项目编号:13YJC720009);2015年辽宁省教育厅人文社会科学研究一般项目(项目编号:W2015013)

摘　　要："诗之思"在海德格尔和杜夫海纳的思想中都占有重要的地位。杜夫海纳基本继承了海德格尔"诗是原始的语言形式"的看法,并从存在论的视角理解诗。最重要的是,他们都把诗上升到了本源的高度,从人类命运走向、见证自身与世界的关联等方面来探索诗的本质,体现了他们对于人的生存意义与生存价值的终极关怀。但杜夫海纳的"诗之思"最终走向了自然哲学,这又显示了他对海德格尔的超越。The aesthetic perception is important for both Heidegger and Dufrenne.Dufrenne basically inherits Heidegger in that poetry is a primitive linguistic form according to ontology.Most importantly,they have both advocated and explored over the essence of poems from human destiny in connection with the world,and embodied their ultimate concerns for the meaning and value of human existence.However,Dufrenne eventually moves towards natural philosophy,which shows his transcendence of Heidegger.

关 键 词：杜夫海纳 海德格尔 “诗之思” 诗 自然哲学 

分 类 号：B565.59[哲学宗教—外国哲学]