基于中国传统大漆工艺的琵琶改良探索  

EXPLORATION OF LUTE IMPROVEMENT BASED ON CHINESE TRADITIONAL LACQUER TECHNOLOGY

作　　者：张岩[1] 赵玮[1] 沈禹含 

机构地区：[1]北京工业大学艺术设计学院

出　　处：《设计》2018年第23期28-29,共2页Design

基　　金：国家社科基金艺术学项目<"正仓院"藏唐代乐器设计工艺及当代价值研究>(批准号15BG095)资助项目

摘　　要：为了溯本求源地挖掘中国传统乐器的工艺美学资源,探求在音乐文化统合下的造型与工艺价值,呈现"既好听又好看"的音乐来,以完美的形象将中华民族的艺术展现在当代舞台上。我们从传统乐器的形制与工艺特征入手,解析日本正仓院藏唐代乐器的大漆装饰工艺,进行传统精华的挖掘、再造和应用,结合现代设计的理念和手段,对现代琵琶进行改良设计。设计了以唐代螺钿紫檀五弦琵琶大漆螺钿工艺为典范的改良型现代五弦琵琶。中国传统大漆工艺具有极强的装饰色彩和应用功能,在今天的民族乐器设计中仍有重要的传承和应用价值。复兴古老的大漆等传统工艺的应用,可以当代民族乐器再现中华文化的璀璨光芒。In order to explore the technological aesthetic resources of traditional Chinese Musical Instruments for tracing the origin, the author try to explore the modeling and craft value under the integration of music culture, present music that is both graceful and good-looking, and present the Chinese art exhibition on the contemporary stage with a perfect image.Starting from the shape and craft characteristics of traditional Musical Instruments, we analyze the lacquer decoration craft of Tang Dynasty musical instrument collected in Japanese zhengcangyuan,carry out the excavation, reconstruction and application of traditional essences, and combine the modern design concepts and means to improve the design of modern lute.the author extracted the lacquer mother-of-pearl craft from the five-string lute of mother-of-pearl rosewood in Tang Dynasty, and designed the modern improved five-string lute based son the above craft.The traditional Chinese lacquer craft has extremely strong decorative colors and application functions, and in today＇s national musical instrument design it still has important inheritance and application value. The application of traditional techniques such as the rejuvenation of ancient lacquers can reproduce the radiance of Chinese culture with contemporary national instruments.

关 键 词：传统大漆 传承创新 琵琶改良 

分 类 号：J52[艺术—艺术设计]