《诗经》在汉代诗歌创作中的功能运用与文人的雅化心态  

Functional Application of The Book of Songs in Han Dynasty Poem Writing and Literati's Elegance Psychology

作　　者：宁宇 NING Yu(School of Literature and Media,Taishan University,Taian,Shandong271000,China)

机构地区：[1]泰山学院文学与传媒学院,山东泰安271000

出　　处：《衡水学院学报》2018年第6期78-83,共6页Journal of Hengshui University

摘　　要：通过梳理两汉时期四言体诗歌的创作情况发现:两汉文人在对《诗经》社会功能的体认上大多接受了官方意志,强化其经学价值,淡化其抒情意义。从而,四言体诗歌创作走向衰微。将《诗经》抬到经典的地位也意味着它与现实的隔膜,文人对《诗经》的雅正心态也导致这一结果。四言诗创作既要有歌颂祖业的内容,又想让其承担讽谏功能,造成本以抒情为主的四言体内容方面的疏离。这与汉代《诗经》经学身份与文学身份的背离有关,同时与两汉的经学氛围相一致。东汉后期五言诗逐渐承担抒情功能,取代了四言诗的正统地位。因此,四言诗创作必须适应社会现实的需要才能不断发展进步。By filing the creation of the four-character poetry in the two Han Dynasties, the author found that most of the literati accepted the official thoughts, strengthened the Confucian function of The Book of Songs and weakened its lyric significance. So the four-character poem writing declined. The promotion of The Book of Songs to the status of the classics also means that it is separated from the reality, and the literati’s elegance psychology towards The Book of Songs also leads to the result.The four-character poem writing should not only praise the ancestors but undertake ironic function as well to cause the alienation of content and form of four-character poems. It was the result of the deviation between Confucian and literary identity of The Book of Songs in Han Dynasty,and was related to the atmosphere of the study of Confucian Classics in Han Dynasty. Five-character poems then gradually assumed the lyric function and took the orthodox place of the four-character poem in late Eastern Han Dynasty. Therefore, the creation of four-character poem must adapt to the needs of social reality to continue to develop and progress.

关 键 词：《诗经》 四言诗 汉代诗歌 雅化 

分 类 号：I207.425[文学—中国文学]