近代文化嬗变中“新音乐”的发展历程  

The Formation of the Neo-Music in Modern China

作　　者：常晓静[1] 

机构地区：[1]南开大学文化素质教学部,天津300071

出　　处：《南开学报（哲学社会科学版）》2002年第5期105-110,共6页Nankai Journal:Philosophy,Literature and Social Science Edition

摘　　要：中国近代史上的新音乐运动 ,起步于依声 (外国曲调 )填词的学堂乐歌 ,发展于五四以后“新国民乐派”的声乐、器乐和歌舞形式 ,而成熟于抗战时期的全民歌咏运动。在此历程中 ,新音乐逐渐找到“乐”的时代脉搏和民族本根 。The development of neo music in modern China falls into three phases: (a) starting: to set poem to a given score of foreign music, the school songs period; (b) developing: the school of national music developed after May 4 th Movement, vocalist, instrumental music, song and dance; (c) reaping: the whole nation singing movement, in times of the War of Resistance Against Japan (1937 1945). People of China found in the course of the neo music movement the pulse of music in a given times and the root the music comes from. It is the combination of pulse of the times and the essence of the nation will yield the strongest voice of the people, which had served for the nation wide mobilization to fight against Japanese invasion, playing important action.

关 键 词：新音乐 唯美主义 救亡歌咏 音乐传播 

分 类 号：J609.2[艺术—音乐]