对汉乐府“感于哀乐,缘事而发”的新阐释  

New Comment on "Moved by Grievous Music & Expressed with Matter

作　　者：曾晓峰[1] 王劭[2] 

机构地区：[1]中南民族大学中文系,湖北武汉430074 [2]湖北轻工职业技术学院,湖北武汉430070

出　　处：《武汉理工大学学报（社会科学版）》2002年第5期511-515,共5页Journal of Wuhan University of Technology:Social Sciences Edition

摘　　要：根据《乐府诗集》的统计数据 ,汉乐府诗歌中本事和作品共同流传下来的占其总数的 44 %以上 ,班固“感于哀乐 ,缘事而发”的评价确是至评。汉乐府作者的创作动机以自我抒情为主 ,少数为了满足社会需要 ,其传播方式呈现出文事结合的特点 ,有的甚至“文依事存” ,诗文不具备独立传播的资格。分别从创作和传播的角度来看 ,对“感于哀乐 ,缘事而发”的古评可以赋予新的含义。According to the statistics of Collected Poems of Music Bureau, the poems in it handed down with their stories account for 44 percent of the whole works, thereby, the comment by the ancient scholar of'moved by grievous music & expressed with matter' is really perfect. The motive of production of the authors of Poems of Music Bureau of Han Dynasty is mainly for expressing their emotions, while a few resulted from'social order'.The means of conveying is of the feature of combining literature and affairs, even some of the poems just existed because of the affairs, which means the poems themselves cannot be conveyed alone. New exposition can be attached to the comment of'moved by grievous music & expressed with matter' with the perspectives of composition and dissemination respectively.

关 键 词：汉乐府 "感于哀乐 缘事而发" 班固 创作动机 文事结合 

分 类 号：I207.22[文学—中国文学]