作为语境的艺术:以“刘三姐歌”为例  

Art as Context: Taking “Liusanjie's Songs” for Example

作　　者：范秀娟[1] Fan Xiu-juan(Literature School ,Guangxi University for Nationalities,Nanning,Guangxi,530006 China)

机构地区：[1]广西民族大学文学院,广西南宁530006

出　　处：《广西科技师范学院学报》2016年第4期1-4,共4页Journal of Guangxi Science & Technology Normal University

基　　金：国家社科基金重大招标项目"当代美学的基本问题和批评形态研究"(15ZDB023);广西高校优秀人才资助计划项目"从‘少数民族文学’到‘多民族文学’--民族文艺学视野中新世纪文学观念的变迁"(桂教人[2009]62号)

摘　　要：在历届南宁国际民歌艺术节上被反复演绎的"刘三姐歌",体现了艺术和语境的一种重要关系,即艺术可以营造语境。"刘三姐歌"以其经典旋律营造了鲜明的时代语境、地域语境和文化语境,表征了艺术与语境的互动关系:语境建构艺术,艺术也建构语境;艺术既是"他律"的,也是"律他"的。“ Liusanjie’s Songs”performed successive repeatedly on the Nanning International Folk Song Arts Festival have reflectedthe important relationship betweem the art and its context,namely art can create a context. With their classical melodies ,“Liusanjie’sSongs”have created a distinctive context of age,territory and culture. So there is the interactive relationship betweem art and its context;context can construct art,and art can also construct context. In a word,art is both“heteronomy”and“controlling”.

关 键 词：“刘三姐歌” 南宁国际民歌艺术节 艺术性语境 

分 类 号：J607[艺术—音乐]