青年文化与20世纪中国美学  

The Analysis of the Youth Culture and Chinese Aesthetics in the Twentieth Century

作　　者：程勇真[1] Cheng Yongzhen

机构地区：[1]郑州大学文学院,河南郑州450001

出　　处：《河南社会科学》2017年第9期99-103,共5页Henan Social Sciences

基　　金：河南省哲学社会科学规划基金项目(2014BZX005);河南省社科联调研课题项目(SKL-2015-1085)

摘　　要：20世纪中国一个非常重要的社会文化现象就是青年文化的崛起。作为一个历史概念,青年文化是西方近代启蒙文化的产物,它在中国诞生的标志是五四新文化运动的发生。中国很多美学家都深受其影响。由于青年文化的思想浸润,中国现代美学具有鲜明的特色:尚"力"、尚"新",重视美学与科学的内在关系。青年文化与中国当代美学的关系也颇深,中华人民共和国成立后前30年,受青年文化的影响,美学主要呈现出追求崇高风格、崇尚斗争思想审美风貌;改革开放后20年,青年文化与启蒙思想结盟,热衷于建基于人性学基础上的新的美学原则的建立;20世纪90年代中后期,青年文化开始与消费主义、大众文化融合,形成了独特的青年亚文化景观。在研究青年主义对20世纪中国美学的影响时,应该予以理性客观的分析与批评。One of the important social and cultural phenomena in China in the twentieth century is therise of the youth culture.As a historical concept,youth culture is the product of Western modern enlightenmentculture,its birth sign in China is the occurrence of the May4th new culture movement.Many Chinese aestheticscholars are deeply influenced by it.Influenced by the youth culture,Chinese modern aesthetics has its owndistinctive features:advocating“strength”and“novelty”,and attaching importance to the internal relationshipbetween aesthetics and science.The relationship between the youth culture and Chinese contemporary aestheticsis also quite profound:In the first30years after the founding of the People’s Republic of China,the aestheticsshowed the following aesthetic features:pursuit the sublime style and advocating the struggle.In the last20years after the founding of the People’s Republic of China,the youth culture allied with enlightenment in1980s,and it was fond of the establishment of a new aesthetic principle based on human nature;in1990s,theyouth culture allied with consumerism and mass culture,and formed a unique youth sub culture landscape.When we study the influence of the youth culture on Chinese aesthetics in the twentieth century,we shouldanalyze it rationally.

关 键 词：青年文化 中国现代美学 中国当代美学 

分 类 号：B83[哲学宗教—美学]