新感觉派作家服饰描写中的女性叙事  

The Female Narrative in the Garment Description of Neosensulism Writer

作　　者：杨馥菱[1] YANG Fu-ling(School of Liberal Arts, Shanxi Datong University, Datong Shanxi, 037009)

机构地区：[1]山西大同大学文学院,山西大同037009

出　　处：《山西大同大学学报（社会科学版）》2017年第5期8-11,共4页Journal of Shanxi Datong University(Social Science Edition)

基　　金：教育部人文社会科学研究项目(11YJA751017)

摘　　要：中国服饰文化是传统文化的重要组成部分,服饰的发展演变反映了中华民族政治、经济、民族、文化的内涵。服饰的修饰装扮功能,体现了不同个体的审美情趣,传达着不同个体的内在韵味,因此文学家把服饰作为一种特殊的语言符号。中国现代文学史上,服饰或多或少成为许多作家关注的审美对象,新感觉派作家也不例外,尤其是对女性服饰的书写,体现了新感觉派男性作家对于女性的审美想象。Chinese costume culture is an important part of traditional culture.The evolution of clothing reflects the connotation of Chinese national politics,economy,nationality and culture.The decoration function of the dress reflects the aesthetic taste of different individuals and conveys the inner flavor of different individuals.Therefore,the author uses the costume as a special linguistic symbol.In modern Chinese literature,dress more or less becomes the aesthetic object of many writers,the Neosensulism writers iare not exceptional,especially the writing of the women's clothing reflects the male Neosensulism Writers'aesthetic Tmagination for women.

关 键 词：新感觉派 服饰描写 女性叙事 性别想象 

分 类 号：I206.6[文学—中国文学] I207.425