向现代人的病态人格掘进——卡夫卡《判决》的创作指向  

Driving towards Modern People's Morbid Personality——Creative Direction of Franz Kafka's Das Urteil

作　　者：张梦瑶[1] ZHANG Meng-yao(School of Literature and Journalism,Minzu University of China, Beijing, 100081)

机构地区：[1]中央民族大学文学与新闻传播学院,北京100081

出　　处：《山西大同大学学报（社会科学版）》2017年第5期68-73,共6页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：《判决》是卡夫卡的创作进入成熟期的奠基之作。但论者一般是从卡夫卡惯常的艺术创作手法(如象征、隐喻)和其创作过程惯常的主体心理活动特征来谈论这个问题,而忽略了《判决》作为卡夫卡最为自我肯定的作品,它的创作指向也奠定卡夫卡小说创作的发展方向。许多批评家把《判决》与其后来写的著名长信《致父亲》相提并论,视之为卡夫卡审父情结的自白,实际上,小说中的人物更多则是表现为主人公格奥尔格·本德曼内心分裂的象征。Das Urteil is Franz Kafka's a foundation work that marks his maturity.Critics generally talk about this problem from his artistic creative technique(such as symbolization,metaphor)and characteristics of psychological activities during the process of creation,while ignoring that Das Urteil,Franz Kafka's most self-approving work,its creative direction lays the foundation for the direction of his novel creation.Many critics compare Urteil with his famous long letter Father,regarding it as his confession.In fact,characters in the novel show the inner division of the protagonist.

关 键 词：卡夫卡 《判决》 人格分裂 多重自我 象征 

分 类 号：I521.074[文学—其他各国文学]