检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:戚燕丽[1] 郭俊[1] Qi Yanli;Guo Jun(Department of Basic,Jiangsu Agriculture and Forestry Vocational and Technical College,Jurong 212400,China)
机构地区:[1]江苏农林职业技术学院基础部,江苏句容212400
出 处:《黑河学院学报》2018年第1期167-168,共2页Journal of Heihe University
摘 要:近年来,随着《摩天楼》(2012)、《流感》(2013)、《釜山行》(2016)等一批韩国优秀影片的热映,韩国灾难影片引起世人瞩目。通过关注21世纪以来二十几部韩国灾难影片中对女性银屏形象的塑造,从生态女性主义的角度研究影片故事情节的发展,挖掘韩国灾难影片呈现的女性叙事与生态意识相互交融过程中对人性的描绘与思考,为生态女性主义研究提供新的视角。With the release of a number of outstanding Korean films,such as The Skyscraper(2012),Flu(2013),Busan(2016),etc.,south Korean disaster films have attracted worldwide attention in recent years.This paper,through concerning the shaping of female screen images in more than twenty South Korea disaster films having released since the 21st century,studies the plot development of the films from the perspective of ecological feminism,explores the depiction and thinking of human nature in the process of intermingling female narration and ecological consciousness presented in South Korea disaster films,and provides a new perspective for the research on ecological feminism.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.249