伊卡洛斯与奥登《美术馆》的复杂主题  

Icarus and the Thematic Complexity of W. H. Auden's Musée des Beaux Arts

作　　者：王文渊[1] WANG Wenyuan(Wuxi Vocational Institute of Commerce,Wuxi214153,China)

机构地区：[1]无锡商业职业技术学院国际商务学院,无锡214153

出　　处：《江苏工程职业技术学院学报》2017年第4期34-37,共4页Journal of Jiangsu College of Engineering and Technology

摘　　要：希腊神话故事中的普通人物伊卡洛斯,经奥维德的塑造,勃鲁盖尔的描绘和20世纪3位诗人的作品推动,逐渐成为西方文学艺术中富有象征意义的形象。对这一形象的来龙去脉进行梳理和分析,发现奥登的短诗《美术馆》展示了复杂的主题思想,同时,与伊卡洛斯有关的文学艺术作品对于当代人认识自我和群体、理性处理突发灾难事件具有启发意义。Originally a common character of Greek mythology,Icarus gradually became an image bearing rich symbolic meanings in Western literature due to the portrait in Ovid’s Metamorphoses,Brueghel’s Landscape with the Fall of Icarus as well as poems by three modern poets.Sorting out the roots and flowers of this image helps to reveal the complex themes of W.H.Auden’sMusée des Beaux Arts.It is also pointed out that literary and artistic works concerning Icarus provide meaningful clues for contemporary man to understand the individual as well as the group value orientations rationally so as to better deal with potential disasters and atrocities.

关 键 词：伊卡洛斯 《变形记》 《美术馆》 《画着伊卡洛斯坠落的风景画》 《给奥登先生的备忘录 29/8/66》 

分 类 号：I106[文学—世界文学]