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作 者:亓娟莉[1] QI Juanli(School of Literature and Communication,Xianyang Normal University,Shaanxi 712000,China)
机构地区:[1]咸阳师范学院文学与传播学院,陕西咸阳712000
出 处:《湖北文理学院学报》2018年第3期42-45,共4页Journal of Hubei University of Arts and Science
基 金:国家社会科学基金项目(13BZW063)
摘 要:古琴在先秦时期主要为修身、治国之雅器,至汉代作为乐器本身的娱乐性有所增强。就《史记》等记载而言,较之西汉,东汉时期喜好古琴的士人明显增多,至汉末古琴逐渐成为名流士子乐道忘忧之器,甚或成为志行高迈、隐逸遁世的象征。Guqin is a kind of devices for self-cultivation and governing country in the pre-Qin Period.The entertainment as a musical instrument itself was enhanced in Han dynasty.According to The Historical Records,the number of people who liked guqin music increased obviously in the Eastern Han Dynasty than it did in the Western Han Dynasty.Guqin gradually became a symbol of the noble and stealthy recluse by the end of the Han Dynasty.
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