论虚拟表演的有机性  

On the Organic Nature of Virtual Performance

作　　者：周倩雯[1] ZHOU Qian-wen(School of Digital Arts,Shanghai University,Shanghai 201802,China)

机构地区：[1]上海大学数码艺术学院,上海201802

出　　处：《上海大学学报（社会科学版）》2018年第2期45-51,共7页Journal of Shanghai University(Social Sciences Edition)

基　　金：上海大学戏剧与影视学高峰学科项目资助(2017)

摘　　要：表演艺术通过对有机生命体运动的模仿,从而体现其有机性特征。虚拟表演是表演艺术的特定形态:在抽离客观现实的场景中,演员运用自身身体,展现生命的有机能动性,并赋予空间和交互以实际意义。在科技高度发展的当下,表演艺术的机遇与危险并存:机遇在于,动作捕捉和VR技术将虚拟表演作为新技术条件下必备的表演方式;而危险在于,当人类的感觉和想象过于依赖虚拟影像后,可能会逐渐丧失情感认知和行动能力以及在行动过程中展开的有机联系,而这将意味着表演的终结。The performing art,by imitating the“movement”of organic life,embodies“organic”features.Virtual performance is a special form of performing art:in the absence of the scenes of objective reality,performers present organic mobility by employing bodily gestures,bestowing practical meanings to space and interaction.Today's highly developed science and technology presents both opportunities and danger to performing arts.The opportunity lies in the fact that motion capture and VR technology regard virtual performance as an essential way of performing under new technological conditions.The danger lies in the fact that when human feelings and imaginations rely too much on virtual images,man may gradually lose emotional cognition,the ability to act and the capability of establishing organic connections in the process of action,which will mean the end of the performance.

关 键 词：无实物表演 虚拟表演 有机性 未来学 

分 类 号：J912[艺术—电影电视艺术]