李渔三次造园论析  

Li Yu's Homesickness and His Gardens

作　　者：王丽娴[1] 李荣华 龙松亮 Wang Lixian;Li Ronghua;Long Songliang

机构地区：[1]浙江理工大学风景园林系 [2]山东美晨生态环境股份有限公司 [3]杭州赛石园林集团有限公司 [4]浙江农林大学园林学院

出　　处：《中国园林》2018年第3期136-139,共4页Chinese Landscape Architecture

摘　　要：李渔(字笠翁)自造宅园3处。通过文学分析、文献考索、案例比较等研究途径,对李渔3次造园本因、选址特色、构园意象等方面进行审美意趣研究后得出其共同特点和造园初心。3处宅园建于不同时期、不同地点,却有三方面共同特点:其一,造园本因"首丘"之念;其二,选址皆僻处山水间;其三,构园有舟舸、楼船意象。笠翁造园如其诗文、戏曲,不落窠臼,创新求真,且未离初心:仆本浙人的"乡愁"之心;归隐体察天然"山水"之心;实践"笠翁其名"的"归真"之心。Li Yu(also known as Liweng)was one of the famous gardeners of the Ming and Qing Dynasties.He lived in his garden named Ceng Yuan which was beside the West Lake in the last years of his life.He had built other two gardens,one was named Yi Yuan in his hometown of Lanxi,and the other was named Jiezi Yuan in Nanjing.Why did Li Yu build them?The three gardens were unique,but the location was always attributed to the reason of Li Yu's homesickness and his shanshui landscape experience and feelings.Their common characteristics are on a hillside and nearby some water landscape.Ceng Yuan is the crystallization of aesthetic ideas of Li Yu.As the last garden in his life,as the most concentrated embodiment of his homesickness and his shanshui landscape experience,more was reflected in his deep experience of boat on the West Lake.It is a typical case which illustrates how the West Lake landscape nourished literati in the Ming and Qing Dynasties.It is worth for modern reference including Li Yu's life wisdom and aesthetic of landscape.

关 键 词：风景园林 李渔 园林文学 乡愁 遗址 西湖 

分 类 号：TU986[建筑科学—城市规划与设计]