功能主义批判的美学高度——西奥多·阿多诺晚期美学思想再发掘  

An Aesthetic Level of Critique of Functionilism——Excavating again TH. W. Adorno's Aesthetic Thought

作　　者：陈开晟 CHEN Kaisheng(School of Humanities and Communication,Minjiang University,Fuzhou,Fujian 350108,China)

机构地区：[1]闽江学院人文与传播学院,福建福州350108

出　　处：《闽江学院学报》2018年第1期31-41,共11页Journal of Minjiang University

基　　金：福建省社会科学规划项目(FJ2017B135);闽江学院2017年重点项目(MYS17013)

摘　　要：阿多诺美学的阐释者通过发掘其美学对大众文化的肯定或将其对大众文化的抵制上升到审美现代性层面而为其辩护,但实际上这造成了对它的矮化与遮蔽。阿多诺晚期对功能主义的考察与阐发至少在三方面奠立了其美学的高度:审美现代性二重性构成交织、扭结的复杂缠绕,并在社会历史场景中不断地生产、再生产;在复杂社会文化语境下对美学本质的追问及对否定美学之内核的眷注与维系;对审美现代性的反思已触及美学外部或生养艺术的文化、社会体制问题,从而走向通往后现代美学的关口上。韦尔默是阿多诺这一美学遗嘱的理想执行者,他推进了在阿多诺那里因历史等高线的制约而错失的美学的后现代主义重构与创造。The Elucidator ol Adorno,s aesthetics defend it rising levels ol aesthetic modernity by which excavate his aesthetics’s affirming or rejecting mass culture,however it actually lead to underestimating and veiling it.Late Adorno’s analysis and survey of functionilism,establish his aesthetic height at least in three ways:the duality of aesthetic modernity constitute complex twine of inter-wining and twirling,and produce and repoduce continually in the social and history scene;it explore the essence of aesthetics in the complex society and culture context,focusing on and maintaining the core of negative aesthetics;the reflection of aesthetic modernity has touch aesthetic exterior or the problem of cultural and socical institution of nourishing art,thereby move to gateway leading to post-modern aesthtics.A.Wellmer is a perfect executor of Adorno’s this aesthetic testament,he improve aesthetic post-modernism reconstruction and creation which is missed by Adorno on account of the restriction of historical contour.

关 键 词：阿多诺 美学思想 功能主义 大众文化 自律艺术 否定美学 后现代美学 

分 类 号：B83-06[哲学宗教—美学]