明治时期婚姻与家庭伦理观照下的女性形象论——以樋口一叶《十三夜》中的阿关为例  

On the Female Image under Ethics of Marriage and Family in Meiji Period:a Case Study of Aguan,the Protagonist in Higuchi Lchiyo's Thirteen Nights

作　　者：林艳[1] 李庆申[2] LIN Yan;LI Qing-shen(School of Foreign Languages,Gannan Normal University,Ganzhou 341000,China;School of Continuing Education,Gannan Normal University,Ganzhou 341000,China)

机构地区：[1]赣南师范大学外国语学院,江西赣州341000 [2]赣南师范大学继续教育学院,江西赣州341000

出　　处：《唐山学院学报》2018年第2期103-108,共6页Journal of Tangshan University

基　　金：江西省社会科学"十二五"规划项目(12WX22)

摘　　要：文章从婚姻与家庭伦理的角度来解读《十三夜》中的女主人公阿关,探讨在与丈夫期待的理想婚姻发生冲突时,在家庭、婚姻束缚下以及在社会伦理制约下觉醒与放弃中沉浮的女性形象。表明在明治时期,处在社会变革中的女性,女性意识开始萌芽,但在父权、夫权的压抑下,最终放弃挣扎,其自觉意识和自身知识的局限导致了女性的悲哀。The authors of this paper,from the perspective of marriage and family ethics,interpret Aguan,the heroine of The Thirteen Nights,and discuss the female image of the awakening and abandonment in the family and marriage,under the constraints of social ethics and in the conflict with the ideal marriage expected by husbands.This female image shows that in the process of social change in the Meiji period,the female consciousness began to germinate,but under the oppression of patriarchy and the right of husband,the struggle was finally abandoned.Their self-consciousness and limitations of their own knowledge led to the sadness of women.

关 键 词：明治时期 樋口一叶 十三夜 阿关 女性自觉 

分 类 号：I313.31[文学—其他各国文学]