从齐梁诗歌佛教意象探佛教对南朝诗歌创作的影响  

The Buddhist and Poetic Creation of the Southern Dynasty Were Subtle

作　　者：段朋飞[1] DUAN Peng-fei(Institute of Literature,Xinjiang Normal University,Urumqi 830017,China)

机构地区：[1]新疆师范大学文学院,新疆乌鲁木齐830017

出　　处：《宜春学院学报》2018年第4期98-102,共5页Journal of Yichun University

摘　　要：在中古时期,南朝文学是一个自觉的时代,在文学思想、文体观念,审美形态等方面进行着剧烈的变革。齐梁诗歌中的禅、梵、月等意象的出现,反映出齐梁时期佛教实践活动与诗人密切交往的关系,也折射出佛学对诗歌的深刻影响,以期窥探佛学与文学的互动过程,进一步揭示出齐梁诗歌的多重文化内涵和意义。In the middle ages,the literature of Southern Dynasties was a conscious era,which made drastic changes in literary thoughts,stylistic conceptions and aesthetic forms.The emergence of the images of Zen,Vatican and Moon in Qiliang's poems reflects the close relationship between Buddhist practice and poets during Qi and Liang dynasties.It also reflects the profound influence of Buddhism on poetry and thus spies on the interactive process between Buddhism and literature.Reveals the multi-cultural connotation and significance of Qiliang poetry.

关 键 词：南朝佛教 诗歌实践 齐梁诗歌 文化意义 

分 类 号：I206.2[文学—中国文学]