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作 者:周春花[1] 钟淑杯 张红梅[1] ZHOU Chunhua;ZHONG Shubei;ZHANG Hongmei(School of Fine Arts,Hainan Normal University,Haikou 571158,China;Department of Chinese Language and Literature,Qiongtai Normal University,Haikou 571127,China)
机构地区:[1]海南师范大学美术学院,海南海口571158 [2]琼台师范学院中文系,海南海口571127
出 处:《南海学刊》2018年第1期106-112,共7页The Journal of South China Sea Studies
基 金:海南省哲学社会科学规划课题(HNSK YB15-102);海南省哲学社会科学规划课题(HNSK 14-122)
摘 要:海南黎族原始制陶源于"旧陶器时代",经历了漫长的原始社会形态,被考古界誉为中国制陶史上的"活化石"。与佤族、怒族、高山族等无轮手工制陶相比,因技术功能因素、社会阶层、饮食行为、从属关系等变量的影响,黎族制陶形成了独特的原始技术风格,主要表现为源自古陶器时代的原料制备、简单天然的制作工具、粗犷简洁的器型种类、能源的原始巫术强化、家庭手工与村寨流通的调度,尤其在棉布陶垫的"人转陶器不转"使用方法方面,呈现出更为原始的技术风格特征。The original pottery of Li Nationality in Hainan originated from the“old pottery age”.It has gone through a long history of primitive society.It has been praised as“living fossil”in the history of Chinese pottery making by archaeological circles.Compared with other wheelless handmade pottery of Wa,Nu,Gaoshan nationalities,Li pottery formed the unique style of the original technology due to the impact of technical function,the social class,eating behavior,affiliation and other variables,whose style mainly includes preparation of raw materials from the age of ancient pottery,simple natural production tools,rough and simple device type,original witchcraft strengthening of energy,dispatch of family handwork and village circulation.Especially in the cotton padded mat,the method of“turning man instead of pottery”has a more primitive style of technology.
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